Showing 1497 items matching national gallery school
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Williamstown Historical Society Inc
Portraiture oil painting, "Morning Tea"
... morning tea painting enid philip national gallery school...Painted by Enid Philip in 1922 at the National Gallery... in 1922 at the National Gallery School, Melbourne for an overseas ...Painted by Enid Philip in 1922 at the National Gallery School, Melbourne for an overseas scholarship.Painting depicts elderly woman, two young women and girl sitting around a table having morning tea. On canvas, oil paint and wooden framesignature of artist Philip, Enid (1898-1984)morning tea painting enid philip national gallery school -
Federation University Historical Collection
Article - Article - Women, Ballarat Technical Art School: Women of Note; Nornie Gude, Artist, (1915 - 2002)
... national gallery school... on to the National Gallery School from 1936-1939, studying with Sidney Nolan... on to the National Gallery School from 1936-1939, studying with Sidney Nolan ...Eleanor Constance (Nornie) Gude was born in 1915 in Ballarat, Victoria to Stella Rehfisch and Walter Gude, musician and violin teacher, and conductor of the St Patrick's Cathedral orchestra and choir in Ballarat. Her parents met when Stella was 27 and the 42-year old Walter was teaching her the violin. Nornie and her sister Gilda were both raised in Ballarat before moving to Melbourne on the eve of World War II. She was accepted into the Ballarat Technical Art School at 15 because of her advanced skill in painting, and trained there from 1931-1936. She won the esteemed MacRobertson Scholarship in art worth £100 a year. She later went on to the National Gallery School from 1936-1939, studying with Sidney Nolan and Charles Bush, and became the first woman to win the National Gallery Students Travelling Scholarship. Gude won many awards for her painting both while at school and throughout her career. Her work is represented in collections at the National Gallery of Victoria, Parliament House, and the Art Gallery of Western Australia, as well as regional collections in Ballarat, Geelong, Castlemaine Art Museum, and Bendigo.nornie gude, ballarat technical art school, 1931-1936, women of note, artist, macrobertson scholarship, 100 pound per year, national gallery school, 1936-1939, sidney nolan, charles bush, first woman national gallery students travelling scholarship, parliament house, regional collections, ballarat, geelong, castlemaine, bendigo, national gallery victoria, eleanor constance gude -
Eltham District Historical Society Inc
Document - Folder, Newbury, David
... National Gallery School... National Gallery School Melbourne State College Royal Melbourne ...David Newbury, artist of Eltham, son of artist Peter Newbury, is retiring from teaching at Melbourne State College. He remembered the Eltham of his childhood. A E (Peter) Newbury, artist of Eltham, influenced by Frederick McCubbin and Walter Withers, later by the work of Max Meldrum. Contents Newspaper article: "Artist with a claim to fame", Diamond Valley News, 7 December 1982. Describes David Newbury's life and career. Pages 116-117 from "Pioneers & Painters" by Alan Marshall: Life of A E (Peter) Newbury and son David Newbury.Newspaper clippings, A4 photocopies, etcdavid newbury, peter newbury, frederik mccubbin, walter withers, max meldrum, percy leason, botlon street eltham, eltham primary school, swinburn technical school, national gallery school, melbourne state college, royal melbourne institute of technology, clare newbury, a e (peter) newbury, richard mccann, eltham hotel, bill withers, walter dobson -
Whitehorse Historical Society Inc.
Article, Blackburn Lake painting, 1988
... National Gallery School and Paris. Exhibited at Victorian Artists... - 1945) of Blackburn Lake. Studied in Melbourne National Gallery ...Two paintings in Darwin Science and Art Museum by Theo Hansen (1870 - 1945) of Blackburn Lake.Two paintings in Darwin Science and Art Museum by Theo Hansen (1870 - 1945) of Blackburn Lake. Studied in Melbourne National Gallery School and Paris. Exhibited at Victorian Artists Society until 1906.Two paintings in Darwin Science and Art Museum by Theo Hansen (1870 - 1945) of Blackburn Lake. artists, hansen, theo brooke, victorian artists society, heidelberg school, colonial school, shimmin, bruce -
Federation University Historical Collection
Photograph, Mary Hollick and Deirdre Giblin, c1995
... Giblin, co-authors of a researcg study for the National Gallery ...Mary Hollick and Deirdre Giblin, co-authors of a researcg study for the National Gallery of Victoria.mary hollick, deirdre giblin, national gallery of victoria, school of business, tourism -
RMIT Design Archives
Textile - Textile Design Sample
... practices, and also enrolled in classes at the National Gallery... enrolled in classes at the National Gallery School. From 1952 until ...The Polish born artist, designer and filmmaker, Stanislaus Ostoja-Kotkowski (1922-1944), who arrived in Melbourne in 1949 on the 'Fairsea', a ship carrying displaced persons from Europe and the Baltic States. He sought employment in architectural and design practices, and also enrolled in classes at the National Gallery School. From 1952 until 1953 Ostoja-Kotkowski had a brief, but productive, period working as a designer in the Prestige Fabric Design Studio in Melbourne. Ann Carew, 2017The textile design has aesthetic significance as an example of the early Australian work of noted emigre artist, designer and filmmaker, Stanislaus Ostoja-Kotkowski, and it has historical significance for its association with the Prestige's Textile Design Studio, and the studio's art director, Gerhard Herbst. Small sample of pale green rayon fabric with a bold, repeating geometric pattern printed in black and white.emigre, polish, design, textile design, rmit design archives -
Lauriston Girls’ School (incorporating Lauriston Museum and Gallery)
Painting, Portrait of Mrs Susan St.Leon Headmistress 1973-1982
... 1380mm x 900mm. Janet Dawson trained at the National Gallery... 1380mm x 900mm. Janet Dawson trained at the National Gallery ...A portrait in oils or acrylic of Mrs Susan St. Leon, Size 1380mm x 900mm. Janet Dawson trained at the National Gallery School, Melbourne, and won a NGV Travelling Scholarship to study painting, lithography and etching at the Slade School and the Central School in London. Since then she has had numerous exhibitions, and is represented in all major public collections of Australia. She won the Archibald Prize in 1973 for one of her portraits. This portrait is part of the Record Series 74. Permanent/Semi-Permanent Displayed Works.Oil Painting of Mrs Susan St. Leon Headmistress Mrs Susan St.Leon Headmistress 1973-1982 -
Federation University Art Collection
Painting, 'Road to Tallangatta' by Max Middleton, 1956
... at the National Gallery School under William Rowell in 1938, and painting... at the National Gallery School under William Rowell in 1938, and painting ...Max MIDDLETON (1922-2013) Born Melbourne In a career spanning 60 years, Max Middleton is known as a 'plein air' landscape painter the artist loved to paint sunrises, aiming to capture what he saw on the spot in paint. Capturing the light was crucial to his artworks. Max Middleton studied Drawing at the National Gallery School under William Rowell in 1938, and painting under Harold Septimus Power in 1940. The first of Middleton's 68 professional exhibitions took place in 1946. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil painting of a landscape near Tallangatta.art, artwork, max middleton, landscape, tallangatta, available, middleton, oil on canvas -
Federation University Historical Collection
Book, The Shepherd Press, The Science of Appearances as Formulated and Taught by Max Meldrum, 1950
... Meldrum attended the National Gallery School, winning... Meldrum attended the National Gallery School, winning ...This book could be described as the summing up of a theory of physical appearances, devised by a painter and demonstrated by paint. The foundation of this theory was laid down first in Paris by Max Meldrum early 1900s. A review calls the book "the most outstanding book on the craft of painting yet published in any language. Max Meldrum was born in Edinburgh, Scotland on 03 December 1875. His family arrived in Australia and Max Meldrum attended the National Gallery School, winning the Victorian Travelling Scholarship in 1899. It was deaccessioned and transferred from the Ballarat School of Mines library so would have been used by students and staff of the Ballarat Technical Art School, a division of the Ballarat School of Mines. Red fabric hard covered book of 298pp, includes colour plates that have been pasted into the book. The book inlcudes 11 colour prints and 11 line and tone diagrams. These diagrams in clude Major and Minor Dark and liLight Disturbances; Speed Values and Form; Complex Light Disturbance; Experiments in Definition and Inclination; Apparatus for the Analysus of Visual Phenomena by Distance; Set of Patches; Modern and Obsolete Methods of Approach, Tonal Analysis on "St John's Parad"'; Chromatic Analysis of "St John's Parade". This book was part of the Ballarat Technical Art School LibraryA review has been pasted in the front..max meldrum school, max meldrum, art, science of appearances, appearances, color plates, tonalism, ballarat school of mines library, ballarat technical art school -
Federation University Art Collection
Painting, Murray Walker, Life Models, 2003
... by the National Gallery School and RMIT Art school, Melbourne between 1858... by the National Gallery School and RMIT Art school, Melbourne between 1858 ...Murray WALKER (1937- ) Born Ballarat, Victoria Described as one of Melbourne's Figurative Expressionists Murray Walker educated at the Ballarat Technical Art School (a division of the Ballarat School of Mines) in 1952 and 1953, followed by the National Gallery School and RMIT Art school, Melbourne between 1858 and 1859. He studied at the Slade School of Fine Art (London) from 1960 to 1962, with a Summer School at the Academia della Belle Arti, Perugia, Italy in 1961. Myth, narrative and people form an important place in the work of Murray Walker, and he has worked in many mediums including printmaking, painting, collage, assemblage, ceramics and tapestry design. Humour and storytelling are a feature of his work Figurative ExpressionismGift of Dr Graeme Williams OAMFramed hand coloured pen drawing of a number of life modelsavailable, alumni, life models, nude, life drawing -
Federation University Art Collection
Painting - Artwork - Painting, 'Procession Along the Todd River' by Wesley Pemberthy
... Rehabilitation student at the National Gallery School, Victoria... became the first Rehabilitation student at the National Gallery ...Wesley PEMBERTHY (1920- ) Born Broken Hill, New South Wales Wesley Pemberthy spent his childhood in Adelaide, South Australia. As an adult he lived in Bendigo, Ballarat, Clunes, Creswick, Daylesford and Perth. While in Perth he studied at Perth Technical School (1933-1937), followed by studies under the tutorship of Norman Lindsay in New South Wales (1938-1941). After service during World War Two Wes Pemberthy became the first Rehabilitation student at the National Gallery School, Victoria, undertaking research into the techniques of the Old Masters. He was the winner of the Sulman Award in 1955. The Sulman Prize is awarded for the best subject painting, genre painting or mural project by an Australian artist.Framed painting showing a number of brightly dressed people in a treed landscape. artists, artwork, wes pemberthy, wesley pemberthy, aborigines, aboriginal -
Federation University Art Collection
Work on paper - Artwork - Bookplate, John Shirlow, Bookplate for R.M. Chirnside by John Shirlow
... design classes at the National Gallery School from 1890 to 1895... and attended design classes at the National Gallery School from 1890 ...John Shirlow (1869-1936) John Shirlow was the first Australian to make etching the basis of his career. Schooled in Melbourne, he studied for a time with Artur Loureiro and attended design classes at the National Gallery School from 1890 to 1895. Specialising in renderings of old Melbourne buildings, which are now of great historical interest, he drew directly onto the plate in reverse. In 1929 he founded etching classes at the Working Men's Institute. Throughout his life a prominent figure on the Victorian art scene, he was involved in various choirs and bushwalked with R.H. Croll and C.J. Dennis. He was a Trustee of the National Gallery of Victoria from 1922 to 1936. (http://www.portrait.gov.au/people/john-shirlow-1869)Etched bookplate for R.M. Chirnside showing the head of the racehorse 'Linass'. Posthumous printing from the original etching plate in 2010.On plate "Ex Libris R.M. Chirnside Linass"bookplate, john shirlow, r.m. chirnside, linass, etching, printmaking, horse, racehorse -
Federation University Art Collection
Work on paper - Bookplate, John Shirlow, "Ex Libris R.H. Croll Solvitur Ambulando" by John Shirlow
... design classes at the National Gallery School from 1890 to 1895... and attended design classes at the National Gallery School from 1890 ...John Shirlow (1869-1936) John Shirlow was the first Australian to make etching the basis of his career. Schooled in Melbourne, he studied for a time with Artur Loureiro and attended design classes at the National Gallery School from 1890 to 1895. Specialising in renderings of old Melbourne buildings, which are now of great historical interest, he drew directly onto the plate in reverse. In 1929 he founded etching classes at the Working Men's Institute. Throughout his life a prominent figure on the Victorian art scene, he was involved in various choirs and bushwalked with R.H. Croll and C.J. Dennis. He was a Trustee of the National Gallery of Victoria from 1922 to 1936. (http://www.portrait.gov.au/people/john-shirlow-1869)Bookplate "Ex Libris R.H. Croll Solvitur Ambulando" by John Shirlow This Ex Libris Etching was released as Part of P. Neville Barnett`s ``Pictorial Book Plates`` Privately Published and Released as a Limited Edition ``de luxe`` Version, The Publication was Edition Number 95 of 100, Year of Publication: 1931Etched bookplate "Ex Libris R.H. Croll Solvitur Ambulando" showing a boy with swag and billy reading a book as he walks towards the rising sun. Shirlow with 1923 printed lower left beneath the image. r.h. croll, john shirlow -
Nillumbik Shire Council
Painting: David ARMFIELD (b.1923 Melb AUS - d. 2010 Melb AUS), David Armfield, Eltham 1965, 195
... David Armfield studied at the National Gallery School... Gallery School in the 1940s and turned to full time painting ...David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires. Painting: oil on canvas. Depicting the desolate aftermath of a bushfire in Eltham. Trees are bare and burnt, foreground is sparse, whilst background is fiery red.david armfield, eltham, bushfire -
Nillumbik Shire Council
Ceramic (plate): Joan Armfield & David Armfield, David Armfield, Platter with dolomite glaze and Grevillia decoration, c.1975
... Gallery School in the 1940s and turned to full time painting... at the National Gallery School in the 1940s and turned to full time ...David Armfield: David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1930s on painting trips and used to camp on the banks of Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.Ceramic stoneware. Reduction fired, dolomite glaze, wax resist decoration over iron. Decorated/painted by David Armfield. Cast by Joan Armfield. -
Federation University Art Collection
Drawing - Texta sketch, [Flower Bowl] by Sybil Craig, 1979
... London, England Arrived Australia 1902 The National Gallery... Gallery School, Melbourne, gave Craig a sound training for her ...Sybil CRAIG (18 November 1901-09 September 1989) Born London, England Arrived Australia 1902 The National Gallery School, Melbourne, gave Craig a sound training for her popular flower and portrait studies. However, her association with leading modernists between the wars led her to pursue her art in a deliberately experimental and spontaneous way. Sybil Craig was the third woman appointed by the Australian War Memorial as an official war artist. She was the first woman to paint women working in the munitions’ factories. The Castlemaine Art Gallery & Historical Museum, held the first retrospective exhibition of Sybil Craig's in 2006. The exhibition highlighted her wonderful use of colour and design in a diverse range of media, techniques and subject matter. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.ModernismDrawing in texta of a bright bowl of flowers.art, artwork, sybil craig, craig, texta, flowers -
Federation University Art Collection
Drawing - Texta sketch, 'In Chamber African Daisies' by Sybil Craig', 1978
... London, England Arrived Australia 1902 The National Gallery... 1902 The National Gallery School, Melbourne, gave Craig ...Sybil CRAIG (18 November 1901-09 September 1989) Born London, England Arrived Australia 1902 The National Gallery School, Melbourne, gave Craig a sound training for her popular flower and portrait studies. However, her association with leading modernists between the wars led her to pursue her art in a deliberately experimental and spontaneous way. Sybil Craig was the third woman appointed by the Australian War Memorial as an official war artist. She was the first woman to paint women working in the munitions’ factories. The Castlemaine Art Gallery & Historical Museum, held the first retrospective exhibition of Sybil Craig's in 2006. The exhibition highlighted her wonderful use of colour and design in a diverse range of media, techniques and subject matter. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.ModernismFramed sketch of flowers undertaken in texta colour.art, artwork, sybil craig, craig, flora, texta, texta colour, available -
Federation University Art Collection
Drawing - Coloured pencil sketch, 'Untitled' by Sybil Craig
... London, England Arrived Australia 1902 The National Gallery... Gallery School, Melbourne, gave Craig a sound training for her ...Sybil CRAIG (18 November 1901-09 September 1989) Born London, England Arrived Australia 1902 The National Gallery School, Melbourne, gave Craig a sound training for her popular flower and portrait studies. However, her association with leading modernists between the wars led her to pursue her art in a deliberately experimental and spontaneous way. Sybil Craig was the third woman appointed by the Australian War Memorial as an official war artist. She was the first woman to paint women working in the munitions’ factories. The Castlemaine Art Gallery & Historical Museum, held the first retrospective exhibition of Sybil Craig's in 2006. The exhibition highlighted her wonderful use of colour and design in a diverse range of media, techniques and subject matter. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pencil drawing of a flower.art, artwork, sybil craig, craig, flowers, drawing -
Federation University Art Collection
Drawing - Artwork, [Tree Study] by Sybil Craig
... London, England Arrived Australia 1902 The National Gallery... London, England Arrived Australia 1902 The National Gallery ...Sybil CRAIG (18 November 1901-09 September 1989) Born London, England Arrived Australia 1902 The National Gallery School, Melbourne, gave Craig a sound training for her popular flower and portrait studies. However, her association with leading modernists between the wars led her to pursue her art in a deliberately experimental and spontaneous way. Sybil Craig was the third woman appointed by the Australian War Memorial as an official war artist. She was the first woman to paint women working in the munitions’ factories. The Castlemaine Art Gallery & Historical Museum, held the first retrospective exhibition of Sybil Craig's in 2006. The exhibition highlighted her wonderful use of colour and design in a diverse range of media, techniques and subject matter. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pencil and watercolour sketchart, artwork, sybil craig, craig, available, pencil drawing, watercolour -
Federation University Art Collection
Drawing - Drawing - charcoal sketch, [Seated Woman] by Sybil Craig
... London, England Arrived Australia 1902 The National Gallery... Gallery School, Melbourne, gave Craig a sound training for her ...Sybil CRAIG (18 November 1901-09 September 1989) Born London, England Arrived Australia 1902 The National Gallery School, Melbourne, gave Craig a sound training for her popular flower and portrait studies. However, her association with leading modernists between the wars led her to pursue her art in a deliberately experimental and spontaneous way. Sybil Craig was the third woman appointed by the Australian War Memorial as an official war artist. She was the first woman to paint women working in the munitions’ factories. The Castlemaine Art Gallery & Historical Museum, held the first retrospective exhibition of Sybil Craig's in 2006. The exhibition highlighted her wonderful use of colour and design in a diverse range of media, techniques and subject matter. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed life drawing by Sybil Craigart, artwork, sybil craig, craig, life drawing, life model, charcoal, drawing, available -
Federation University Art Collection
Drawing - Pencil ink & Water colour on paper, [Flower Study] by Sybil Craig
... London, England Arrived Australia 1902 The National Gallery..., England Arrived Australia 1902 The National Gallery School ...Sybil CRAIG (18 November 1901-09 September 1989) Born London, England Arrived Australia 1902 The National Gallery School, Melbourne, gave Craig a sound training for her popular flower and portrait studies. However, her association with leading modernists between the wars led her to pursue her art in a deliberately experimental and spontaneous way. Sybil Craig was the third woman appointed by the Australian War Memorial as an official war artist. She was the first woman to paint women working in the munitions’ factories. The Castlemaine Art Gallery & Historical Museum, held the first retrospective exhibition of Sybil Craig's in 2006. The exhibition highlighted her wonderful use of colour and design in a diverse range of media, techniques and subject matter. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed sketches of plantsSigned lower left side "Sybil Craig"art, artwork, sybil craig, craig, flora, plants, flowers, available -
Nillumbik Shire Council
Painting: David ARMFIELD (b.1923 Melb AUS - d. 2010 Melb AUS), David Armfield, Panton Hill, c.1980
... David Armfield studied at the National Gallery School... studied at the National Gallery School in the 1940s and turned ...David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.Oil on canvas painting depicting a Panton Hill bush scape.Signed: D. Armfield in lower right hand corner. Not dated.david armfield, eltham art prize, panton hill -
Nillumbik Shire Council
Painting: David ARMFIELD (b.1923 Melb AUS - d. 2010 Melb AUS), David Armfield, Untitled (Beach), c. 1975
... David Armfield studied at the National Gallery School... at the National Gallery School in the 1940s and turned to full time ...David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.'Untitled' by David Armfield an oil on canvas painting depicts sand, sea, distant mountains and various figures scattered about in a typical Armfield landscape. The figures tend to be annonymous, sometimes included more to establish the scale than for a narrative purpose. The figures are well clothed and it could be assumed that it is not a hot summer's day. Depth is established by changing of colours and diminishing the size of the figures.david armfield, beach, eltham, nillumbik shire council -
Nillumbik Shire Council
Painting - Alan MARTIN (b.1923 - d.1989 AUS), Portrait of Alan Marshall, 1956
... Gallery School and the Royal Melbourne Institute of Technology. He... studied under Max Meldrum, at the National Gallery School ...Alan Martin studied under Max Meldrum, at the National Gallery School and the Royal Melbourne Institute of Technology. He later established his own art school. He has won several prizes and is represented in several provincial collections. Alan Marshall was the author of more than fifteen books, and lived much of his life in Eltham. He became a central figure in the area's arts community of writers, artists, sculptors, film makers, actors and musicians. He contracted polio when he was young is considered one of Australia's most successful and loved authors. His most famous book, 'I Can Jump Puddles' is based on his life story and the obstacles he faced as a child in trying to overcome his disability. The portrait of Alan Marshall was exhibited as a finalist at the 1956 Archibald Prize. -
Federation University Historical Collection
Document - Document - Letter, Ballarat Junior Technical School: Letter to Dr Ursula Hoff, National Galley of Victoria, 1952
... Gallery of Victoria. School returning circular and wish to have..., Keeper of Prints at the National Gallery of Victoria. School ...Letter to Dr Ursula Hoff, Keeper of Prints at the National Gallery of Victoria. School returning circular and wish to have six prints for the year. Four from previous year returned.Cream pages, typed .1: Signature of D Gibbensballarat junior technical school, head master, l garner, keeper of prints, national gallery of victoria, dr ursula hoff, prints for loan -
Federation University Art Collection
Painting - Portrait, Laurence Scott Pendlebury, 'The Artist's Wife' by Laurence Scott Pendlebury, 1978
... Laurence Scott Pendlebury studied at the National Gallery... for five years before progressing to Melbourne’s National Gallery... to Melbourne’s National Gallery of Victoria School. As a violinist ...Laurence SCOTT PENDLEBURY (1914 - 1986) Born Melbourne Laurence Scott Pendlebury studied at the National Gallery of Victoria School between 1932 and 1938 and then at Swinburne Technical College. He served during World War Two with the AIF between 1941 and 1945. Teaching at Swinburne Technical College between 1946 and 1963 Laurence Scott Pendlebury was head of the art school from 1963 until his retirement in 1974. He was president of the Victorian Artists’ Society from 1961 to 1963. Awards include: Dunlop Prize in 1950, 1951, 1953 and 1954; Gibson Prize, Victorian Artists’ Society in 1956; Wynne Prize in 1956, 1957, 1960 (shared with John Perceval) and 1968; Caltex Prize in 1957; Victorian Artists’ Society Artist of the Year (shared) in 1975. Portrait of Nornie Gude, the artist's wife, holding a violin. Nornie Gude was a student of the Ballarat Technical Art School, a division of the Ballarat School of Mines. Nornie Gude was the daughter of Walter Gude, a leding musician, and highly regarded teacher. She grew up in Ballarat and was educated at Loreto College. From 1931 to 1936 Nornie Gude attended the Ballarat Technical Art School, a division of the Ballarat School of Mines. She was accepted into the School at the age of 15 because she was so advanced in painting. Nornie Gude studied at Ballarat for five years before progressing to Melbourne’s National Gallery of Victoria School. As a violinist Nornie Gude played for more than a decade with the Zelman Orchestra. This work was a finalist in the 1978 Archibald Prize.artists, artwork, laurence scott pendlebury, pendlebury, nornie gude, gude, available, alumni -
Wangaratta Art Gallery
Painting, Mollie Hill, Borough Offices, 1962
... watercolourist who studied at the Melbourne National Gallery Art School... at the Melbourne National Gallery Art School and is known for her 'eye ...Mollie Hill was a famous Welsh-born Australian watercolourist who studied at the Melbourne National Gallery Art School and is known for her 'eye for colour'. Her work features many landscapes of northern Victoria as she lived for some time in Shepparton and Wandiligong. She was also a well-known journalist. Depicted in this painting is the old council borough offices which were demolished in 1962. Rural City of Wangaratta Collection. Gift of Wangaratta Co-operative Housing Society No. 3 Ltd.A watercolour landscape of the old Wangaratta borough offices painted using shades of green, red, blue, and brown.Obverse: Mollie Hill/ (bottom right corner) PRESENTED/ TO THE BOROUGH OF WANGARATTA/ BY WANG. CO-OP. HOUSING SOCIETY/ NO. 3. LTD. IN APPRECIATION OF THE/ GENEROUS ASSISTANCE RECEIVED./ (in mounting board)wangaratta art gallery, mollie hill, watercolour, painting, landscape, borough offices -
Federation University Art Collection
Painting - Artwork - Painting, 'Professor Emeritus David Caro' by Rick Amor, 2000
... in 1865 Rick Amor studied at the National Gallery School... Gallery School, Melbourne from 1966 to 1968. Amor has held over 60 ...Rick AMOR (1948- ) Born Frankston, Victoria After completing a Certificate of Art at the Caulfield Institute of Art in 1865 Rick Amor studied at the National Gallery School, Melbourne from 1966 to 1968. Amor has held over 60 solo exhibitions, and has worked in Barcelona, New York and London. In 1999 Rick Amor became the first official Australian war artist since the Vietnam War. He was appointed by the Australian War Memorial to document the devastated land in East Timor, and the reconstruction efforts of peacekeepers. Professor David Caro OAM was Chancellor of the University of Ballarat for two terms, between 1998 and 2004. His contributions to academia and science have recognised on a national and international global scale. His appointments include Officer in the Order of the British Empire (OBE) and Officer in the Order of Australia (AO). This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. ContemporaryFramed portrait of Professor Emeritus David Caro, University of Ballarat (later Federation University Australia)art, artwork, rick amor, amor, chancellor, david caro, caro, academic portrait, portrait, oil, oil on linen, commissioned, academic regalia -
Eltham District Historical Society Inc
Document - Folder, Peck, Joy
... in Warrnambool; died 3 February 2008. She trained at the National Gallery... in Warrnambool; died 3 February 2008. She trained at the National Gallery ...Joy Peck was an artist and husband Hal was a teacher at Eltham High School and a potter. They had three children: Tony, Gina and Marcus. Joy was born in Ballarat but grew up in Warrnambool; died 3 February 2008. She trained at the National Gallery School and exhibited from 1960 until 1997; her Melbourne galleries included Realities and Manyung. In Eltham, the Pecks lived in a mud brick house, later moving to Moor Street in Fitzroy. Contents Newspaper article: "Ode to Joy", The Australian, 22 February 2008. Obituary by Phillip Adams of his friend Joy Peck. Letter Sue Law to Phillip Adams, 25 March 2008, regarding Phillip Adams' article about Joy Peck. Letter Phillip Adams to Sue Law, 16 April 2008, acknowledging. Newspaper article: "At home in the fantastic, yet her work was also surprisingly gritty", The Age, 3 April 2008. Obituary of Joy Peck by Jim Davidson.Newspaper clippings, A4 photocopies, etcjoy peck, phillip adams, hal peck, eltham high school, montsalvat, justus jorgensen, inga clendinnen, betty burstall, la mama theatre carlton, tony peck, gine peck, marcus peck, eltham mud brick buildings, realities art gallery, manyung art gallery, clifton pugh, barry humphries, john clendinnen, tim burstall, moor street fitzroy -
Mission to Seafarers Victoria
Painting, Madeline M.Ravenna Lewellin, Start Point Light, Devonshire, 1875
... , Naldera in 1920). She studied painting at the National Gallery... Eugene Von Guerard at the National Gallery, School of Painting ...This painting was inspired by an original painting by Wilhelm Melby held at the National Gallery of Victoria. Melby is a Danish artist (1824-1882). It depicts a famous Devonshire coastal region famous now for its lighthouse and the pick up point for the pilot when entering waters approaching Dartmouth. The sailing vessels pre-date the construction of the famous lighthouse. Over the centuries the view would have been familiar to many sailors as they left or approached the English mainland and south coast ports in the English Channel. Madeline Mary Ravenna Lewellin (1854 – 24 November 1944) was born in Victoria to Dr John Henry Hill Lewellin, a physician, and Grace Elizabeth (née Danneby). She was one of five daughters, and the family lived in Prahran. Lewellin's brother, Captain Herbert Gordon Hill Lewellin, was a commander in the P. and O. fleet (apprentice on the Romanoff, Lieutenant RNR on the HMS Arethusa in 1899, RMS Mongolia in 1913 sunk in 1917, Naldera in 1920). She studied painting at the National Gallery School in 1879 under Eugene von Guerard. She's also known for collecting and painting specimens, and became a member of the Field Naturalists Club of Victoria in 1885. In 1884 she won a silver medal for her studies of fungi. She collected plants for Australian botanist Ferdinand von Mueller, and the variety of Dicrastylis lewellinii (Purple sand-sage) is named after her. Miss Lewellin, who had a love of the sea and ships as subject matter is listed in 1910 as a donor as a 10/6 member donating to the motor launch fund and in 1918 as a working member of the Ladies Harbour Lights Guild which involved regular volunteer shifts at the Mission to Seamen on canteen and other duties.The donor of this highly regarded painting at the Mission , Miss Madeline R. Lewellin (1854-1944), the artist of this version was actively painting in Victoria between 1877 and 1910, was a silver medallist for studies of fungi. She liaised with Von Mueller and studied under Eugene Von Guerard at the National Gallery, School of Painting in 1879. Her works are represented in the State Library Victoria and a silver medal awarded in 1884 is held by Museum Victoria. This painting represents a tangible link with one of the ladies who interfaced with the seafarers. She had a connection with the sea thanks to her brother, Captain Herbert Gordon Hill Lewellin, who was a commander of the RMS Mongolia during WWI, and became the commodore of the P.&O. Fleet.This oil painting has a dark polished wood and gold leaf slip. The painting depicts two masted boats. The choppy sea takes up the lower-third of the painting, and the other two-thirds of the image of made up of stormy grey clouds. A rocky cliff face can be seen on the right-hand side of the painting. A small church can be seen on the hillside. The ship on the left third of the painting sits on the horizon line of the sea. The centre ship with two masts appears to be leaning to the right and its deck is exposed to the viewer showing four men attempting to handle the masts and rigging. The left-hand ship with three masts is surrounded by two grey distant silhouetted mast ships. There are three seagulls at the upper left-centre of the image. There are another three gulls down on the lower-left of the image. Front: ENGRAVED PLAQUE: Start Point Light. Devonshire. SIGNATURE: After W. Melby / M.M.R Lewellin. 1875. Reverse: IN BLACK MARKER PEN: * Hang from two points * WHITE STICKER WITH CONSERVATOR DETAILS: Art Conservation Frames / 118 Bridport Street, Albert Park, VIC, 3206 / 9696 9066 / artconservationframers.com.aupainting, ships, mast, church, sea, storm, oil painting, seagulls, madeline r. lewellin, artwork-paintings, ngv, wilhelm melby, eugene von guerard, botanist, rms mongolia, captain herbert gordon hill lewellin (1862-1935), paddy lewellin